Glamorous and hugely popular Joan Crawford raised herself from brutal poverty to Academy Award-winning stardom by guts, determination and hard work. During her 50-year career, she made over 80 films. But her obsessive perfectionism led to the later caricature of coat-hanger-wielding harridan that even the adoration of fans could not counter. Still, she has endured as one of the most popular icons of the movies, an early role model to a million young women who aspired to her image of stylish magnetic power and unquestioned independence.

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Joan Crawford narrates this documentary about the career of Greta Garbo.

Actress Joan Crawford appears in this public service announcement asking the theatre audience to give generously to The Jimmy Fund, which supports cancer care and research for children.

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.

A comedy about a dysfunctional family with 3 children. Oldest Wendy is trying to figure out life. Don came home after being kicked out of his band and finds he can talk to raccoons. Youngest Brian always seems to unite the family.

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In ancient Egypt, Queen Neco Tokris angers the high priest by falling in love with a minor cleric. The high priest arranges for his rival to be stoned to death, and the queen, rather than submit, allows herself to be buried alive with her lover's body. Many centuries later, a ship steams toward Cairo, Egypt. Among its passengers are wealthy playboy Reginald Stanhope; vaudeville dancer Celia Thaxter and her manager, Gregory Gallup, who together are maneuvering Reginald into marrying her. Also aboard are Herbert Boone, a shell-shocked drug addict, and his nagging wife, Adele; Kelim Pasha, an Egyptian prince who attracts Adele Boone's affections; and Mahmud, an Egyptian mystic who insists that Celia Thaxter and Herbert Boone are the reincarnations of an ancient Egyptian queen and a priest who sacrificed themselves for their love.

Jeanne is interned in a psychiatric hospital. She claims to be Joan of Arc.

Joan is 25 years old. She finished actors’ studies in Lithuanian Academy of Music and Theatre and was about to start acting in Russian Drama Theatre. But a war started in Ukraine and she decided to go there. Joan collects and transports materials for the soldiers to the battlefield in Ukraine. Joan tries to keep balance between being one day in war, another in peace. The film is a journey from one world to another and the line between these worlds is not clear. You must reconsider the meaning of “reality”. Everything is mixed up: the war is “there”, but it could be “here” anytime.